Rich, ripe and strange, Maggie Gyllenhaal’s directorial debut is a superb character study of the chafing limitations of motherhood and female friendship. Treading just the right side of luvvie love-in, it’s a musical which will appeal even to those with an aversion to jazz hands. Garfield is a rubber-limped delight as Larsen, fretting about his imminent 30th birthday and his lack of achievement, while Miranda brings signature snap and pop to the music and acrobatic visual flair to the telling. Genre: Drama/ Musical Cert: 12 Time: 120 minsīased on the all-too-brief life of Jonathan Larsen, this is Lin Manuel-Miranda’s loving homage to the creator of Rent, a landmark 1996 musical which shunted the entire art form into a new evolutionary phase. Read our 4-star review of Ma Rainey’s Black Bottom Tick, Tick. As magnificent and dangerous as a schooner in a storm, she ensures the film hits with steam-train force. But arguably it is Viola Davis’s vast, tempestuous turn as the titular singer Ma Rainey who steals the show. Chadwick Boseman’s performance as a hot-headed trumpeter was unquestionably his finest to date, and he was unexpectedly overlooked for a posthumous Best Actor Academy Award. The squabbles, surprises and sublime music-making of a crack Blues band in 1920s Chicago come to life in Wolfe’s sweltering drama. Read our 3-star review of Munich: The Edge of War Ma Rainey’s Black Bottom (2021) Set during the 1938 Munich conference, it follows two university friends – one German, the other British – who must scramble to avoid all-out-war. More rip-roaring than strictly historically accurate, this Robert Harris adaptation nonetheless does a fine job of capturing the brittle (and timely) atmosphere of pre-Second World War tensions as well as going someway towards rescuing Neville Chamberlain’s reputation as a cowardly appeaser-in-chief. Genre: Historical drama Cert: 12 Time: 130 mins Read our 5-star review of The Power of the Dog It builds to a devastating, unguessable climax. Cumberbatch and Plemons plays two brother ranchers in the wilds of Montana (actually Campion's native New Zealand) whose uneasy domestic harmony is shattered when Plemons falls for a fragile local woman who runs a bar (Kirsten Dunst), and she moves in with her fey, awkward son (Kodi Smit-McPhee). The Power of the Dog (2021)Ī chamberpiece in chaps, Campion’s psychological Western is an intense family drama, lit up by an astonishingly menacingly and sinewy performance by Benedict Cumberbatch. Chosen by the Telegraph’s film critics, this is the cream of the crop to stream from the squishy comfort of your sofa, from awards-bait to park-your-brain fun. While Adam McKay’s climate change satire has an outsider chance, Jane Campion’s magnificent, brawny Western leads the pack.Īhead of the Oscars ceremony on 27 March, here’s your chance to catch up on the best Netflix has to offer. But this year’s crop of 10 nominees features two Netflix features – Don’t Look Up and The Power of the Dog. Could this be the year that a Netflix original finally scoops the Best Picture Oscar? Martin Scorsese’s The Irishman was snubbed in 2019.
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